David “Mr.StarCity” White

David “Mr.StarCity” White（1979年出生）是一位多學科藝術家，其創作實踐涉及各種媒體，包括繪畫、雕塑、詩歌、音樂、表演、電影和攝影。他對現實和想像主題的彩色描繪越來越受到人們的認可，這種描繪以綜合日常生活的美麗、激情和衝突的超凡脫俗場景而達到頂峰。 （老虎畫廊™ 2022年10月12日至11月26日）

Godwin Champs Namuyimba

Godwin Champs Namuyimba 以其複雜的分層繪畫而聞名，這些繪畫利用人類形態，通過後殖民時代的非洲視角探索身份和種族。通過他在家庭環境中對家人和朋友的描繪，Namuyimba 將日常生活轉化為對世界的勵志、渴望和幻想的描繪。
Namuyimba 1989年出生於烏干達馬薩卡，2017年在烏干達坎帕拉的Kyambogo大學獲得美術學士學位。他的作品曾在國際上展出，並在巴黎的Galerie Marguo 舉辦個展；盧森堡的Zidoun Bossuyt 畫廊；紐約東部項目；布魯塞爾的Ars Belga；斯德哥爾摩的Steinsland & Berliner 畫廊。 Namuyimba 的作品被盧森堡當代藝術博物館MUDAM 收藏；青島、上海和香港的W藝術基金會；瑞典的Örebro 圖書館；以及佛羅里達州西棕櫚灘的沙坑藝術空間。

Michele Fletcher
(b. 1963, Ontario, Canada)

January 27 - March 25, 2023

她在倫敦生活和工作。她獲得了Goldsmiths學院美術與批判理論學士學位（榮譽）和Chelsea藝術與設計學院美術碩士學位。她獲得了Goldsmiths學院的Neville Burston繪畫獎和Marmite繪畫獎。她還是2020/21年度John Moore繪畫獎的獲獎者。她的作品入選2009年、2018年、2021和2022年皇家學院夏季展覽。

Maurice Mboa

Maurice Mboa（生於1983年，喀麥隆雅溫得）在瑞士日內瓦生活和工作。他的作品曾在非洲、歐洲各國、中東和美國展出，包括2022年在日內瓦佩斯畫廊的個展，以及在佛羅里達州棕櫚灘的佩斯畫廊和以色列特拉維夫的納西瑪·蘭道的群展。沉浸式展覽是Mboa在英國的第一個展覽。

Izmu Kato

Izumi Kato（生於1969年）在日本東京和中國香港之間生活和工作。最近他的作品個展包括WATARI-UM，位於日本東京的WATARI當代藝術博物館；位於佐治亞州薩凡納的SCAD藝術博物館；位於日本東京/群馬的原當代藝術博物館/原博物館；墨西哥埃斯孔迪多港Casa Wabi基金會；位於中國北京的紅磚美術館；位於法國巴黎的佩羅廷；以及紐約等地。 Stephen Friedman，來自英國倫敦。 2007年，他的作品入選了由Robert Storr策劃的第52屆威尼斯雙年展國際展覽會。

S.H. Kim

(b. 1992, Seoul, South Korea) is currently based in New York. He received his BFA in Painting and BA in Art Studies from Hongik University, South Korea and his MFA in Painting and Drawing from the School of the Art Institute of Chicago. Kim’s recent solo exhibitions have been held at Galería Yusto/Giner in Madrid (June 2023), Studio Concrete in Seoul (October 2022), FLXST Contemporary in Chicago (September 2022) and Another Gallery in Los Angeles (July 2022). This is first S.H. Kim’s first exhibition in London.

Kohei Nawa

Sculptor / Director of Sandwich Inc. / Professor at Kyoto University of the Arts
Born in 1975, and based in Kyoto, Japan, Kohei Nawa received a PhD in Fine Art/Sculpture from Kyoto City University of Arts in 2003, and established Sandwich in 2009. He is now a professor at the Kyoto University of the Arts.

Focusing on the surface “skin” of sculpture as an interface connecting to the senses, Nawa began his PixCell series in 2002 based on the concept of the cell, symbolizing the information age. Adopting a flexible interpretation of the meaning of sculpture, he produces perceptual experiences that reveal the physical properties of materials to the viewer through works addressing themes related to life and the cosmos and to artistic sensibility and technology, including Direction, in which he produces paintings using gravity, Force, in which silicone oil pours down through a space, Biomatrix, in which bubbles and grids emerge on a liquid surface, and Foam, in which bubbles form enormous volumes.

Recently, Nawa has also worked on architectural projects, including the art pavilion “Kohtei.” “VESSEL,” a performance work produced in conjunction with Belgo-French choreographer and dancer Damian Jalet, has been presented around the world since its premiere in 2015. In 2018, his sculpture “Throne” was exhibited under the Pyramid at the Musée du Louvre in Paris, France. In 2023, “Ether (Equality),” a 25 meters-tall sculpture was installed permanently on Seguin Island on France's Seine River.

Kengo Kito

Born in 1977 in Aichi, Japan. Kito earned an MFA in Painting from Kyoto City University of the Arts in 2003 and is now a professor at the Graduate School of Kyoto University of the Arts.
Kito has been an active figure in the Japanese art scene since his student years. In 1999, he became involved with Art Space Dot, one of the few artistrun spaces in Japan at the time.
His body of work spans a diverse range of mediums, including large-scale installations, paintings, sculptures, and photography. Kito integrates color, reflection, and movement into his pieces, incorporating mass-produced objects such as hula hoops, shampoo bottles, scarves, glitters, and mirrors.